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「為什么工廠」帶你重新想象過去的未來
日期：2021-10-16---2021-12-30地點：廣東是否收費：否報名方式：
洄游，或城市的循環想象
CITIES, CIRCLING IN TIME
時間 2021年10月16日 - 12月30日
地點 深圳市南山區南頭古城if工廠204
Date October 16 - December 30, 2021
Venue 204 idea factory, Nantou City, Shenzhen
《今日已舊/ The New Old》是MVRDV創始合伙人、荷蘭代爾夫特理工大學教授Winy Maas在代爾夫特理工大學創立和領導的智庫機構——「為什么工廠」 (The Why Factory, 縮寫: t?f) 與西班牙加泰羅尼亞高等建筑研究所IAAC城市與技術碩士項目合作開展的一項研究。這項研究將以展覽的形式，在深圳南頭古城if工廠的CABLE展廳中呈現。巧合的是，if工廠也是MVRDV最新完成的建筑改造項目。
The New Old is a research by The Why Factory, a global think-tankand research institute led by Winy Maas, Professor of TU Delft and Founding Partnerof MVRDV, in collaboration with the Master of City and Technology at IAAC (Institute for Advanced Architecture of Catalonia, Spain). The research will be presented as part of the exhibition Cities, Circling in Time at CABLE gallery in Idea Factory, a renovation project recently completed by MVRDV in Nantou Ancient Town in Shenzhen.
這項研究通過對“舊”的重新定義和思考，闡述了任何現存狀態由于技術、社會或文化的變遷，都可能成為過去的嶄新理念。研究小組通分析“即將過時”事物的位置、大小和時間線，想象塑造了在未來這些過去或者已經成為過去的事物在城市發展中再次利用的可能。最后，通過對“舊”的再處理，比如移動、再利用、重置或保存等不同策略，試圖在不同的城市環境下，為這些被遺棄的場景和建筑賦予全新價值。
The research explores what ‘Old’ means, what willbecome ‘Old’ in the future and how to manage everything that due to technological, social or cultural changes will soon become obsolete. By understanding the location, size and timeline of the soon-to-become-obsolete, we envisioned its future. ‘Re’ actions on the ‘Old’, such as ‘Re-moving’, ‘Re-using’, ‘Re-locating’ or ‘Re-membering’, to name just a few, let us understand what the New Old will be and how it will look like.
研究團隊成員
Research team
The Why Factory:
Winy Maas, Javier Arpa Fernández, Adrien Ravon, Lex te Loo
Students (The Why Factory):
Yousra Ahllache, Jorn Beltman, Juliette Brouwer, Olivia Dolan, Dorsa Ghaemi, Mieneke Jongert, Reinier Kok, Sophie Koopman, Eva Maarleveld, Aga Omastka, Ivan Pashov, Marnix Prins, Matteo Tiraboschi, Rik van de Wijgert, Zwaan van der Scheer, Dino Vojvodi?, Lucas Zarzoso Hueck
Students (IAAC):
Adriana Aguirre Such, Arina Novikova, Alvaro Cerezo Carrizo, Dongxuan Zhu, Hebah Qatanany, I?igo Esteban Marina, Juan Pablo Pintado Miranda, Kevin Aragón, Diana Roussi, Kshama Patil, Laura Guimar?es, Leyla Saadi, Mario González, Marta Maria Galdys, Matteo Murat, Aishath Nadh Ha Naseer, Riccardo Palazzolo Henkes, Sasan Bahrami, Simone Grasso, Sinay Coskun, Sridhar Subramani, Stefania-Maria Kousoula, Tugdual Sarazin, Miguel Tinoco Hdz, Iván Reyes Cano
關于「為什么工廠」
About The Why Factory
「為什么工廠」(The Why Factory, 縮寫: t?f) 是由MVRDV聯合創始人、荷蘭代爾夫特理工大學教授Winy Maas在荷蘭代爾夫特理工大學創立和領導的研究機構?！笧槭裁垂S」專注于通過模型制作和未來都市的可視化研究，探索城市發展的可能性。
The Why Factory (T?F) is a global think-tank and research institute led by professor Winy Maas, founding partner of MVRDV. It explores possibilities for the development of our cities by focusing on the production of models and visualisations for cities of the future.
「為什么工廠」的教育和研究整合了研究型實驗室和平臺，旨在分析、理論化和構想未來城市。從普遍到具體，從全球到地區，「為什么工廠」在當下的語境中研究和創造先于未來的可能性。它提出、建造并且展望假設的未來社會和城市，從科學到虛構，反之亦然?！笧槭裁垂S」如同一個創造未來世界情境的生產機器。
Education and research of The Why Factory are combined in a research lab and platform that aims to analyse, theorise and construct future cities. The Why Factory investigates within the given world and produces future scenarios beyond it; from universal to specific and global to local. It proposes, constructs and envisions hypothetical societies and cities; from science to fiction and vice versa. The Why Factory thus acts as a future world scenario making machinery.
「為什么工廠」希望通過參與關于建筑和城市化的公開討論，將The Why Factory的研究成果通過各種方式傳達給公眾，包括展覽、出版物、學術會議和專題研討會。
We want to engage in a public debate on architecture and urbanism. The Why Factory’s findings are therefore communicated to a broad public in a variety of ways, including exhibitions, publications, workshops, and panel discussions.
「為什么工廠」的成果曾在多個活動中展出，例如2009年中國香港“設計營商周”；2009年荷蘭海牙Foodprint Manifestation展覽；2010年德國柏林Imaginarium展。作品《垂直村落》”于2011年在中國臺北明日博物館展出，2012年在韓國首爾當代藝術博物館展出，2013年在德國漢堡博物館展出。裝置作品《 (W)ego住宅》在2017年“深港城市/建筑雙城雙年展”上展出。
The work of The Why Factory has been exhibited at various events, such as the Business of Design Week, Hong Kong, 2009; Foodprint Manifestation, Den Haag, 2009; Imaginarium, Berlin, 2010; Museum of Tomorrow, Taipei, 2011; The Total Museum of Contemporary Art, Seoul, 2012; Hamburg Museum, Hamburg, 2013; COAM, Madrid, 2016; Architekturgalerie, Munich, 2017; Dutch Design Week, 2017; Spazio FMG, Milan, 2017.
「為什么工廠」將其研究的核心內容濃縮為一套叢書——“未來都市合輯（Future Cities Series）”，由荷蘭出版商nai010聯合出版?！拔磥矶际屑稀毕盗袇矔殉霭孢^以下作品：《Visionary Cities》(2009)、《Green Dream》(2010)、《The Why Factor(y)》(2010)、《The Vertical Village》(2011)、《Hong Kong Fantasies》(2011)、《City Shock》(2012)、《Barba》（2015）、《We Want World Wonders》（2016）、《Absolute Leisure》（2016）、《Copy Paste》（2017）、《Poro City》（2018）、《Towers of Choices》（2019）和《Green Dip》（2020）。
At the core of The Why Factory’s campaign is a series of books —the ‘Future Cities Series’—, which is being published in association with nai010 Publishers in Rotterdam. In the ‘Future Cities Series’ the following books have been published: Visionary Cities (2009), Green Dream (2010), The Why Factor(y) (2010), The Vertical Village (2011), Hong Kong Fantasies (2011), City Shock (2012), We Want World Wonders (2014), Barba (2015), Absolute Leisure (2016) and Copy Paste (2017).
關于 CABLE
About CABLE
CABLE是位于深圳南頭古城if工廠的城市文化實驗空間，于2021秋季對外開放。CABLE將致力于傳播城市文化與空間想象，以開放態度和獨立思考，持續關注城市、建筑、人文等領域的研究、記錄與實踐，積極探索介入城市社會的可能性。CABLE設有展覽與活動空間、URBANIST書房和工作室，將長期策劃和支持富有創造力的公共文化藝術活動。
